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Europan-europe 11 Results : Reconnections (2012)
¡Ü Ä«Å×°í¸® : ¿Ü±¹-°ÇÃàÀϹÝ
¡Ü Àû¸³±Ý : 3,750 ¿ø
¡Ü ÃâÆÇ»ç : Europan-europe
¡Ü ÀúÀÚ : editorial team
¡Ü ¹ßÇà±¹ : France
¡Ü ISBN : 9782914296229
¡Ü ÆäÀÌÁö¼ö : 276
¡Ü »çÀÌÁî : 210x280
¡Ü ÃâÆdz⵵ : 2012
¡Ü »ç¿ë¾ð¾î : English
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Europan-europe 11 Results : Reconnections (2012)

 

17°³±¹ 47°³ÀÇ µµ½Ã¸¦ ´ë»óÀ¸·ÎÇÑ 11Â÷ À¯·ÎÆÇÀÇ 41ÆÀÀÇ ¼ö»óÀÛ°ú 54°³ÀÇ ÀÔ¼±ÀÛÀ» ÇÕÇØ ÃÑ 95Á¡ÀÇ ÀÛÇ°°ú ´õºÒ¾î ÃâÇ°ÀÛ¿¡ ´ëÇÑ ½É»çÀ§¿øÀÇ Æò°¡¿Í °üÁ¡À» º¼ ¼ö ÀÖ´Ù.

 

À¯·ÎÆÇ (Europan) À̶õ?

À¯·ÎÆÇÀº À¯·´ÀÇ 40¼¼ ÀÌÇÏÀÇ Àþ°í °ÇÃà°¡¸¦ À§ÇÑ Ã¢ÀÇÀûÀÎ ÁÖ°Å °èȹ ¼³°è °æ±â °ø¸ðÀÌ´Ù. À¯·ÎÆÇÀº ÀþÀº °ÇÃà°¡·Î ÇÏ¿©±Ý µµ½Ã³ª ¸¶À»ÀÇ »õ·Î¿î »çȸÀû, °æÁ¦Àû º¯È­¸¦ Á¦½ÃÇÏ°í, ¹®È­¿Í ¹®È­°£ÀÇ ÀÌÇØÀÇ ±âȸ¸¦ Á¦°øÇÑ´Ù. ¶ÇÇÑ °ÇÃà°¡µéÀÇ ³×Æ®¿öÅ©¸¦ Çü¼ºÇÒ ¼ö ÀÖµµ·Ï ÇÏ¸ç ´ë»óÁö¿¡ ´ëÇÑ ´ëÁßÀÇ ÀÌÇصµ¸¦ ³ÐÈ÷´Âµ¥ °øÇåÇÏ°í ÀÖ´Ù.

ÇöÀç±îÁö À¯·ÎÆÇ 11 ¼³°è °æ±â °ø¸ð¸¦ ¸¶Ä£ »óÅÂÀÌ´Ù.

Europan-europe 11 Results : Reconnections (2012)

À¯·¯ÆÇ 11ÀÇ ÁÖÁ¦·Î ¡°±âÁ¸ÀÇ Àå¼Ò, ¹®È­, »çȸÀû µîµîÀÇ ÀÌÁúÀû ±«¸®¸¦ °ÇÃàÈ°µ¿À̶ó´Â »õ·Î¿î Ãæ°ÝÀ» ¹ß»ý½ÃÄÑ À̸¦ ´Ù½Ã ¿¬°á½ÃÅ°´Ù¡± Áï RECONNECTIONS ÀÌ ´ëµÎ µÇ¾ú´Ù. À¯¸®µÇ¾î ÀÖ´Â °ÍµéÀ» Á¢¼ÓµÇ°Ô ÇÏ°í ºÐ¸® µÇ¾î ÀÖ´Â °ÍµéÀ» ¼­·Î À̾îÁö°Ô ÇÑ´Ù.

 

Á¦ 11Â÷ À¯·¯ÆÇ ¼³°è°æ±â´Â ¾çÀûÀ¸·Î´Â 17°³±¹¿¡ »êÀçµÈ 47°³ÀÇ µµ½Ã¸¦ ´ë»óÀ¸·Î ¼³°è°æ±â °ø¸ð°¡ ÀÌ·ç¾îÁ³´Ù. º»¼­ À¯·¯ÆÇ 11ÀÇ Àü¹ÝºÎ´Â 41ÆÀÀÇ ¼ö»óÀÛ°ú 54°³ÀÇ ÀÔ¼±ÀÛÀ» ÇÕÇØ ÃÑ 95Á¡ÀÇ ÀÛÇ°À» ¼±º¸ÀÌ°í ÀÖ´Ù. °¢ ´ë»ó ÁÖÁ¦´Â ¼¼°¡Áö·Î ºÐ·ùµÇ´Âµ¥, Àå¼ÒÀû Ư¡¼ºÀÇ Ç¥Çö, È°¿ë, ¿¬°á¼ºÀÌ Æò°¡µÇ°í ½É»çµÇ¾ú´Ù.

´õºÒ¾î °£ ´Ü¿øÀº ¼³°è°ø¸ð Âü°¡ÀÚÀÇ ÃâÇ°ÀÛ¿¡ ´ëÇÑ ÃæºÐÇÑ ¼³¸í°ú ½É»çÀ§¿øµéÀÇ ÀÛÇ°¿¡ ´ëÇÑ Æò°¡ÀÇ °üÁ¡ µîÀÌ °ø¸ð°¡ ÁøÇàµÇ¾î¿Â Àü °úÁ¤º°·Î ÀÚ¼¼ÇÏ°Ô ¾ð±Þ µÇ¾î ÀÖ´Ù.

 


º»¼­ÀÇ ÈĹݺδ ÀüÇü(»ó¡)ÀÌ µÇ´Â ¼ö»óÀÛÀ» Áß½ÉÀ¸·Î ÃâÇ°ÀÛÀ» ¸íÈ®ÇÏ°Ô Çؼ³ÇÏ°í ÀÖ´Ù. Áï °ø¸ð ´ç½Ã¿¡
ÀüÁ¦µÈ ¡°Àç ¿¬°á ½Ãµµ¡±¸¦ ´Ù·é 5 ÃâÇ°ÀÛ¿¡ ´ëÇÏ¿© À¯·¯ÆÇ Á¶Á÷À§¿øȸÀÇ Àü¹®°¡µé °¢ÀÚÀÇ °ßÇØ°¡ °ç µé¾î ¼³¸íµÇ°í ÀÖ´Ù.:

 

1 – ¼­·Î °øÀ¯µÇ°í ÀÖ´Â °ø°£À» À籸¼ºÇÑ´Ù. Reshaping shared spaces, ÀÌ °úÁ¦¿¡ ´ëÇÑ ½É»ç ±âÁØÀ» Á¤ÇÏ¿´´Ù  by ¿Ã¸®¹ö ½¶Ã÷- Oliver Schulze ,°ÇÃà°¡, Gehl °ÇÃà°¡ ±×·ì º»ºÎÀå(µ§¸¶Å© ÄÚÆæÇÏ°Õ ¼ÒÀç) architect, director of Gehl Architects in Copenhagen (DK)

 ¿À´Ã³¯ µµ½Ã°³¹ß¿¡ ´ëÇÑ Áö¼Ó°¡´ÉÇÑ Á¢±Ù ÇàÀ§´Â °ø°øÀå¼Ò Áï »çȸÀû Áö¿ªÀû °øÀ¯°¡´É °ø°£À» ÇÊ¿ä·Î ÇÑ´Ù ÁÖ°ÅÀÚµéÀº ÀÌ·± °ø°£À» Á¢Çϸ鼭 °ø°£°ú ¼¼¿ùÀÌ ÁÖ´Â °ü°è¿¡¼­ ³ª¿À´Â ÁúÀûÀÎ »îÀ» ³ª´² °®°Ô µÈ´Ù. ÀÌ·± ¡°³ª´²°®´Â ´À³¦ ,Áï °°ÀÌ °øÀ¯ÇÏ´Â Àå¼Ò¡± ´Â »õ·Î¿î Çö½ÇÀÌ Àü°³µÇ°Ô ÇÏ´Â µ¥ ¿©±â¼­ ¾ð±ÞÇÑ °ø°øÀÇ Àå¼Ò´Â ¿ì¸®°¡ ¿ª»çÀûÀ¸·Î ¹è¿ö¿Ô´ø ±¸¼¼´ëÀÇ ±×°Í°ú´Â ±× ÇÔÃàÇÏ´Â Àǹ̰¡ ´Ù¸¥ °ÍÀÌ´Ù.¡±.

2 – ºÎÁö¿¡ ´ëÇÑ È°¿ëµµ Ãø¸é¿¡¼­ ¿¬°è¸¦ °í·ÁÇÏ´Ù Reconnecting with uses.. ÀÌ °úÁ¦¿¡ °üÇÑ ½É»ç ±âÁØÀº °ÇÃà°¡ È£¼¼ ¸¶¸®¾Æ ¿¡ÁîÄ帮°Ô , µµ½Ã°èȹ °ÇÃà°¡ ( ¸¶µå¸®µå,½ºÆäÀÎ) -José María Ezquiaga, urban planner in Madrid (ES)

 ±ÙÀÚÀÇ ¿ªµ¿ÀûÀÎ µµ½Ã °èȹ ÇÁ·ÎÁ§Æ®´Â ´õ ÀÌ»ó ¾î¶² Á¦ÇÑµÈ °ø°£»Ó¸¸ ¾Æ´Ï¶ó ÈûÂ÷°í À²µ¿ÀûÀÎ ÀáÀç·ÂÀÇ ´É·Â¿¡ ÀÇÇؼ­ ´ëµÎµÇ°Ô µÇ´Âµ¥, ¿©±â¼­ ¸»ÇÑ ÀáÀçÀû ´É·ÂÀ̶ó ÇÔÀº »õ·Î¿î ¿ªµ¿¼ºÀ» ²ø¾î³»´Â °ÍÀ̶ó ÇÒ ¼ö Àִµ¥ ÀÌ´Â ÁÖ¾îÁø ´ë»ó ºÎÁö¿Í ±× ºÎÁö¿¡ ÇÔÃàµÈ ¸Æ¶ôÀ» »õ·Ó°Ô À¯±âÀûÀ¸·Î ±×¸®°í »çȸÀû °ü°è¸¦ ´Ù½Ã Á¤¸³ ÇÒ ¼ö ÀÖµµ·Ï ±âÁ¸ÀÇ ÇÁ·Î±×·¥°ú »óÈ£ ÀÛ¿ëÇÒ ¼ö ÀÖ´Â ±×·± ´É·ÂÀ» ÁöĪÇÑ´Ù.

 
3 – »óÈ£ ¹®È­Àû °£¼· Cultural interferences,  ÀÌ °úÁ¦¿¡ °üÇÑ ½É»ç ±âÁØÀº °ÇÃà°¡ ¿£¸¯ ¼Ò¹ÙÇì³ë -Enrique Sobejano , °ÇÃà»ç¹«¼Ò´Â ¸¶µå¸®µå ¿Í º£¸¦¸° µÎ °÷¿¡ ¼ÒÀç), architect in Madrid (ES)/ Berlin (DE)

¹®È­Àû »óÈ£ °£¼· À¯¹ßÀº ±×µéÀÇ ±âÁ¸ ȯ°æ¿¡ Àß ¸Â´Â ¿¬°á°í¸®¸¦ °³¹ß Çϱâ À§ÇÑ Àü·«ÀÌ Àß Á¤ÀÇ µÉ ¼ö ÀÖ´Â ÇÁ·ÎÁ§Æ®¾È¿¡ ±×¿¡ ÇÊ¿äÇÑ ¿ä¼ÒµéÀ» Áý¾î ³ÖÀ» ¼ö ÀÖ´Â ¿øµ¿·ÂÀ̶ó°í ¸» ÇÒ ¼ö ÀÖ´Ù.

¹®È­Àû »óÈ£ °£¼· À¯¹ßÀº ÇØ´ç ºÎÁöÀÇ ¹°¸®Àû Ư¼ºÀ̳ª ¾î¶² º¸´Ù Á¤½ÅÀû ¿ä¼Ò·ÎºÎÅÍÀÇ À¯·¡¿¡ ±âÃÊÇÑ´Ù°í º¼ ¼ö ÀÖ´Ù. ¹®È­Àû »óÈ£ °£¼· À¯¹ßÀº ¶ÇÇÑ Áö¿ªÀûÀÎ ¿ä±¸Á¶°ÇÀ̳ª ±× Áö¿ªÀÇ »çȸÀû È°µ¿ÀÇ Åä´ë À§¿¡¼­ ¼³¸í µÇ¾î¾ß ÇÑ´Ù.

 


4 –
ÀϹÝÀûÀÎ ÀÚ¿ø¿ä¼Ò¿Í ±×°ÍÀÇ º¯Ãµ Common resources and mutation, ¿£Áö´Ï¾îÀ̸ç, Á¶°æ°ÇÃà ¼³°è°¡ ÀÌ°í µµ½Ã °èȹ°¡ÀÎ ¸ÅÆ© µ¨·Î¹Ì (ÇÁ¶û½º)  Mathieu Delorme, engineer, landscape architect, urban planner in Paris (FR)

 ¿ì¸®°¡ ºÎµúÈ÷´Â ÀÚ¿øÀÇ À¯ÇÑÇÔÀº¡¦Áï ÀÚ¿øÀº Á¡Á¡ Èñ¼ÒÇØÁö°í ÀÌ´Â °¡°ÝÀÇ °¥µî ¹®Á¦¸¦ ¼ö¹ÝÇÑ´Ù. ÀÌ·± Áö±¸ÀÇ È¯°æÀû Àç¾ÓÀº ¿ì¸®µé µµ½Ã ¼³°èÀÚ·Î ÇÏ¿©±Ý µµ½Ã °³¹ß ÇÁ·ÎÁ§Æ®¿¡ ÀÌ·± Á¡À» ÅëÇÕÇÏ¿© ´Ù·ç¾î¾ß ÇÑ´Ù. Áï ÀÚ¿ø(ºÎÁö)À» °øÀ¯ÇÔ¿¡ ÀÖ¾î ±×°ÍÀ» ´Ù·ç´Â ±â¼ú¿¡ ÀÖ¾î ÀÚ¿øÀÇ º¸Á¸»Ó¸¸ ¾Æ´Ï¶ó µµ½Ã¿Í ÀÚ¿¬À̶ó´Â ¼­·Î ÀÌÁúÀû Ư¼ºµéÀÌ ¾ç¸³ Çϸ鼭µµ °°ÀÌ ¾î¿ì·¯Áö°Ô Çϴ Ž±¸¿¡ ¸ÅÁøÇØ¾ß ÇÑ´Ù.

 

5 – µµ½ÃÀÇ ÁÖ±âÀû ¼øȯ°ú ½Ã°£ ¼Ò¿ä Rhythms and timeframes, ÀÌ °úÁ¦¿¡ °üÇÑ ½É»ç ±âÁØÀº öÇÐÀÚ, ÀηùÇÐÀÚÀ̸ç, GerphauÁ¶»ç ¿¬±¸¼Ò ¼ÒÀåÀΠŬ¸®½º ¿ä´Ï, ChrisYounès, philosopher, anthropolo¡©gist, director of the research laboratory Gerphau (FR)

¿À´Ã³¯ÀÇ µµ½Ã¿¡¼­ ¾î¶² ÇàÀ§¿¡ ´ëÇÑ º¹¼öÀÇ ½Ã°£ ¼Ò¿ä¿¡ ÀÇÇØ ÀϾ´Â µµ½ÃÀÇ ÁÖ±âÀû ¼øȯ »óȲÀº

Áï ¡°24½Ã°£ µ¿¾È ³»³» ´« ¶° ÀÖ´Â µµ½Ã¡± ÀÇ °üÁ¡À¸·Î ½ÉÈ­µÇ¾ú´Ù. ÀÌ·± Çö»ó¿¡ ºñÃß¾î µµ½Ã °èȹÀ» ¼ö¸³ÇÔ¿¡ ÀÖ¾î ½Ã°£ÀÇ È°¿ëÀº ±×°ÍÀÌ »õ·Î¿î ¿¬°á°í¸®¶ó´Â µµ±¸·Î¼­ ¶ÇÇÑ ÀÏ¹Ý ´ëÁß°ú µµ½Ã¿Í ÀÚ¿¬ÀÇ ÁÖ±âÀû ¹Ýº¹ Çö»óÀÇ °ü°è¸¦ °³¹ßÇØ ³ª°£´Ù´Â °üÁ¡¿¡¼­ ³õÃļ­´Â ¾È µÉ Áß¿äÇÑ °í·Á»çÇ×ÀÌ µÇ¾ú´Ù.




For the eleventh session of the competition, EUROPAN is publishing the catalogue of prize-winning projects in the 49 European towns situated in the 17 countries taking part.

The 95 prize-winning projects (41 winners, 54 runners-up) of the Europan 11 session are presented in first part of the catalogue, classified into site families (Identity / Uses / Connectivity). It provides access to all the session results with the points of view of the team and the jury.

The second part of the catalogue formulates interpretations around the most emblematic winning projects, based on 5 hypotheses of ¡°reconnection¡±, accompanied by the perspectives of a number of European experts:

1 – Reshaping shared spaces, point of view of OLIVER SCHULZE, architect, director of Gehl Architects in Copenhagen (DK)
Today a sustainable approach to city development demands the introduction of social and community spaces, where people can share qualities relating to space and time. These¡°shared spaces¡±evolve new features that do not necessarily correspond to those associated with the historical term¡°public space¡±.

2 – Reconnecting with uses, point of view of JOSÉ MARÍA EZQUIAGA, architectand urban planner in Madrid (ES)
The dynamics of urban projects no longer arise only from their inherent spatial qualities but more often from their ability to potentiate a vibrant social life, introducing new activities that interact with existing programmes to re-establish new physical and social connections between the site and its context.

3 – Cultural interferences, point of view of ENRIQUE SOBEJANO, architect in Madrid (ES)/ Berlin (DE)
Cultural references act as generators that import elements into projects which can define strategies for reconnection to their environment. They can be based on the physical characteristics of the site or derived from more spiritual elements. They can be also narratives on social practices and local specificities.

4 – Common resources and mutation, point of view of MATHIEU DELORME, engineer, landscape architect, urban planner in Paris (FR)
The finite nature of resources raises the question of scarcity and therefore of value. With the global environmental crisis, it is essential that designers should incorporate them into urban projects, treating them as shared resources not only to be preserved, but to be enhanced in a quest for a hybrid compatibility between city and nature.

5 – Rhythms and timeframes, point of view of CHRIS YOUNÈS, philosopher, anthropologist, director of the research laboratory Gerphau (FR)
Generated by the multiple timeframes of activity in the contemporary city, urban rhythms have intensified to such a point that we now speak of 24-hour cities. The use of time should be taken into account in urban projects as a tool of reconnection, developing relations between citizens and urban and natural rhythms.

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