Formula New Ljublijana
Sadar vuga ArhitektiÀÇ Æ÷Æ®Æú¸®¿À Formula New Ljublijana ÀÔ´Ï´Ù. Á¶±ÝÀº »ý¼ÒÇÑ À̸§ÀÌÁö¸¸ À¯·´³» ¼ö¸¹Àº ÇÁ·ÎÁ§Æ®¸¦ ¼öÇàÇÏ¸ç ±× À̸§À» ¾Ë¸®°í ÀÖ½À´Ï´Ù. ¼³°è¸¦ À§ÇØ °ÇÃàÀ» ºÐ¼®ÇÏ°í 17°³ÀÇ ¹ýÄ¢(formula)¸¦ ÃßÃâÇÏ¿© ÀÌ°ÍÀ» ¼³°è¸¦ À§ÇÑ Åø·Î »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù. À̰͵éÀÌ Àû¿ëµÈ ÇÁ·ÎÁ§Æ®ÀÇ ¹üÀ§´Â ÁְźÎÅÍ ±ØÀå, »óÁ¡, È£ÅÚ, Ä«Áö³ë±îÁö ¹«Ã´ ´Ù¾çÇÕ´Ï´Ù. ÈçÈ÷ °ÇÃà°¡µéÀÌ ÀÛÇ°À» ÀÌÇؽÃÅ°±â À§ÇØ »ç¿ëÇÏ´Â ¾î·Á¿î öÇÐÀû ºñÀ¯ ¾øÀÌ ÀÌÇØÇϱ⠽¬¿î ´ÙÀ̾î±×·¥°ú À̹ÌÁöµé·Î ÀÛÇ°À» ¼³¸íÇϸç Ŭ¶óÀ̾ðÆ®¿Í ´ëÁß¿¡°Ô ¾îÇÊÇÏ°í ÀÖ½À´Ï´Ù.
¿ì¸®´Â ¡°Formula New Ljublijana¡¯ ¶ó´Â Ç¥ÇöÀ» °Á¶ÇØ¿Ô½À´Ï´Ù. ÀÌ Ç¥ÇöÀ» ÅëÇØ ¿ì¸®´Â ½½·Îº£´Ï¾ÆÀÇ ¼öµµ °³¹ßÀ» ÀÌ µµ½ÃÀÇ »õ·Î¿î À̹ÌÁö¸¦ À̲ø¾î ³¾ ¼ö ÀÖ´Â Áö¼ÓÀûÀÌ¸ç ¿ªµ¿ÀûÀÎ °úÁ¤(process)À¸·Î ¹Ù¶óº¸¾Ò½À´Ï´Ù. ÀÌ·¯ÇÑ ¿ªµ¿ÀûÀÎ ¿øÄ¢(dynamic principle)Àº µµ½ÃÀÇ identity¸¦ Çö»óÅ ±×´ë·Î µÎ±âº¸´Ù´Â, ¿ì¸®ÀÇ »çȸ¿Í µµ½Ã°¡ »õ·Î¿î ºñÁ¯(visions)¿¡ ´ëÇÑ ¿µ°¨À» ½Ã´ë¸¦ ÃÊ¿ùÇÏ¿© ÁÖ°Ô µÉ °ÍÀÔ´Ï´Ù.
¿ì¸®°¡ ¾ðÁ¦³ª ÃÊÁ¡À» ¸ÂÃß°í ÀÖ´Â ÀÌ µµ½Ã ³»¿¡¼ ¹°¸®Àû ±×¸®°í Á¤½ÅÀûÀÎ Â÷¿øÀÇ º¯È¸¦ ÁýÁßÀûÀ¸·Î ´Ù·ç¾ú½À´Ï´Ù. ¿ì¸®´Â ½ºÄ³ÀÏÀ» ÀçÁ¶Á¤ ÇØ¾ß ÇÒ Çʿ伺ÀÇ Ãø¸é¿¡ °ü½ÉÀÌ ÀÖ½À´Ï´Ù. À̸¦ ÅëÇØ µµ½Ã´Â ÀÌ·¯ÇÑ ³í¸®¿¡ ±âÃÊÇÏ¿© ¿Ã¹Ù¸¥ ¹æÇâÀ¸·Î °³¹ßµÉ ¼ö ÀÖÀ» °ÍÀÔ´Ï´Ù. ¿ì¸®´Â ÀÌ µµ½ÃÀÇ identity¿¡ »õ·Î¿î ÃþÀ» »ý¼ºÇϱ⸦ ¹Ù¶ø´Ï´Ù. ¿À·¡µÈ °ÍÀ» ´ÜÁö ºÎ½¤ ¹ö¸®Áö ¾Ê°í Ãʱâ 21¼¼±âÀÇ ÃþÀ» ´õÇÏ¿© ÀÌ µµ½Ã ÀüüÀÇ identity¸¦ dzºÎÈ÷ ÇÒ ¼ö ÀÖµµ·Ï ¸»ÀÔ´Ï´Ù. <Áß·«>
¿ì¸®ÀÇ °ÇÃàÀû Á¢±ÙÀº indentity¿¡ »õ·Î¿î Ãþ(layer)°ú °ø°£Àû ¸Æ¶ôÀ» ºÎ¿©Çϵµ·Ï ÇÏ´Â °ÍÀÌ ±× ÀǵµÀÔ´Ï´Ù. ¹°·Ð ±×°ÍµéÀÌ Ã³À½¿¡´Â ºÒÆí ÇÒ ¼ö ÀÖ½À´Ï´Ù. ÇÏÁö¸¸ ±Ã±ØÀûÀ¸·Î »õ·Î¿î °ø°£Àû ºÐÀ§±â¸¦ »ý¼ºÇÏ°Ô µÉ °ÍÀÔ´Ï´Ù. ¿Ö ±×·¡¾ß¸¸ Çϳı¸¿ä? ¿Ö³ÄÇÏ¸é ¿ì¸®´Â ±×°ÍÀÌ¾ß ¸»·Î »õ·Î¿î »çȸÀû »óÈ£ÀÛ¿ë- »õ·Î¿î ´«À¸·Î »ç¹°À» º¸°í, »õ·Î¿î Áö°¢°ú °ø°£Àû °æÇèÀ» ÇÏ´Â - À» ¸¸µé¸®¶ó ¹Ï±â ¶§¹®ÀÔ´Ï´Ù.
Formulas´Â ¿ì¸®ÀÇ °ÇÃàÀÛÇ°¿¡ Àû¿ëµÈ °³³ä ȤÀº ¡°ÁÖµÈ ¾ÆÀ̵ð¾î¡±¸¦ ¼ö·ÏÇÏ°í ÀÖ½À´Ï´Ù. ¿ì¸®´Â °ÇÃ๰À» ¼³°èÇÒ ¶§ Ŭ¶óÀ̾ðÆ®¿Í ³íÀǸ¦ ÇÏ°í °ø°ø¿¡°Ô ÇÁ·¹Á¨Å×À̼ÇÀ» ÇÒ ¶§ ÀÌ formula¸¦ ¼ÒÅëÀ» À§ÇÑ µµ±¸·Î¼ »ç¿ëÇÕ´Ï´Ù.
Çϳª ÀÌ»óÀÇ ÇÁ·ÎÁ§Æ®µéÀÌ ÇϳªÀÇ formula·Î Á¤ÀÇµÉ ¼ö ÀÖ½À´Ï´Ù. Formulas´Â °ÇÃ๰ÀÇ À¯Àϼº(uniqueness)¸¦ °áÁ¤ÇÏ´Â À¯ÇüÇÐ(typologies) À̳ª ÇÁ·Î±×·¥, À§Ä¡, »çÀÌÆ®, ¿¹»ê, ½ÃÇà½Ã°£, »ó¡ÀûÀÎ Èû, landmaking, ȤÀº ´Ù¸¥ ±× ¾î¶² ¿äÀο¡µµ »ó°ü ¾øÀÌ Á¸ÀçÇÕ´Ï´Ù.
Formulas´Â °ÇÃ๰ÀÌ »ý±â´Â °úÁ¤¿¡¼ À¯·¡µÈ ¾îÈÖÀÇ ÀϺÎÀ̸ç ÀÌ ¶ÇÇÑ °ÇÃàÀÌ ¿Ï¼ºµÇ´Âµ¥ ¿µÇâÀ» ³¢Ä¨´Ï´Ù. À̰͵éÀº °ÇÃ๰¿¡ ³»ÀçµÇ¾îÀÖ´Â »ó(generic phase)ÀÌ µÇ°íÀÚ Çϸç, °ÇÃ๰¿¡ »ç¿ëÀÚ Ä£ÈÀûÀÎ µµ±¸¸¦ Á¦°øÇÕ´Ï´Ù.
Formulas´Â ÇÁ·ÎÁ§Æ®ÀÇ Æ¯Â¡°ú ÀÌ°ÍÀÌ »ç¿ëÀÚ¿¡°Ô ¹ÌÄ¡´Â ¿µÇâÀ» ÆľÇÇÏ°í ÀÌ µÎ °¡Áö¸¦ ¿¬°áÇϱâ À§ÇÑ µµ±¸ÀÔ´Ï´Ù.
A formula is articulated such that it captures both the character of an architectural product and its effect on the observer and user. We have highlighted the expression 'Formula New Ljublijana', by which we see the city's development as a constant dynamic process leading to a new image of Slovenia's capital. Rather than a state of frozen identity, is this dynamic principle in our society and our city that will inspire new visions, time and time again.
We are dealing in particular with changes in the city's dimensions, both physical and mental, something on which our office has always been focused. We are interested in the aspects that need to be rescaled so that the city will be able to develop in the right direction on the basis of the specific logic. We wish to create a new stratum in the city's identity that will not destroy the old one, but rather add an early 21st-century layer, thus making the whole city's identity even richer. <Áß·«>
Our Architectural approaches are intended to encourage a new layer of identity, a new spatial context, something that might even be irritating at first, but may eventually stimulate new spatial atmospheres. And why is that? Because we believe that this is the only way to establish a new kind of social interaction: a new way of looking at things, a new perception, and a new spatial experience.
Formulas state concepts or ¡®main ideas¡¯, applied to our architectural products. We use them as the communicational tool in the office while developing a particular product, in discussions with the client and presentations to the public.
More than one product can be defined by one formula. Formulas exist regardless of typologies, program, location, site, budget, time of execution, symbolic power, landmaking, and any other parameters that outline the ¡®uniqueness¡¯ of an architectural product.
Formulas are part of a vocabulary that stems from our architectural production and is also an influence upon it. They aim to become generic phrases and to provide a ¡°users¡¯ friendly¡± tool for communicating architectural products.
Formulas communicate architectural products away from their technical categories (¡°curtain wall¡±, ¡°chilled ceiling¡±), topological categories (¡°mountain house¡±, ¡°seaview window¡±) or typological categories(¡°office building¡±, ¡°courtyard¡±).