|
¡å Á¦Ç°»ó¼¼¼³¸í |
|
|
|
|
|
|
Key Contemporary Buildings
- Plans, Sections and Elevations
Book Description Featuring 95 of the most significant buildings of the early twenty-first century, this book includes works by such eminent architects as Renzo Piano, Norman Foster, OMA and Frank Gehry, as well as newer names, such as Jamie Fobert and Sou Fujimoto. The buildings are organized by planning strategy and are divided into eight chapters, each with an informative introduction that ties the buildings back to iconic examples from the twentieth century. For each building there are numerous, accurate scale plans showing a combination of floor plans, elevations and sections as appropriate, all specially redrawn for this book and based on the most up-to-date information and sources. For each of the buildings there is a concise text discussing the organizational strategy and the significant architectural features of the building's anatomy, together with colour images. The quality and number of the line drawings, together with the authoritative text and images, allow all the buildings to be understood in detail.
|
|
|
|
|
|
|
|
|
|
|
|
¡å »óÇ°Æò |
|
|
|
ÃÑ 0 °³ÀÇ ÀÌ¿ëÈıⰡ ÀÖ½À´Ï´Ù.
|
|
|
|
|
|
|
|
|
|
¡å »óÇ° Q&A |
|
|
|
ÃÑ 0 °³ÀÇ Áú¹®ÀÌ ÀÖ½À´Ï´Ù.
|
|
|
|
|
|
|
|
|
|
¡å ¹è¼ÛÁ¤º¸ / ¹ÝÇ°Ãë¼Ò |
|
|
|
|
|
|
¡Û ¹è¼Û ¹æ¹ý : ºü¸¥Åùè
¡Û ¹è¼Û Áö¿ª : Àü±¹Áö¿ª
¡Û ¹è¼Û ºñ¿ë : ÁÖ¹® ±Ý¾×¿¡ »ó°ü¾øÀÌ ¹è¼Ûºñ´Â ¹«·áÀÔ´Ï´Ù.
¡Û ¹è¼Û ±â°£ : 3ÀÏ
¡Û ¹è¼Û ¾È³»
- »ê°£º®Áö³ª µµ¼Áö¹æÀº º°µµÀÇ Ãß°¡±Ý¾×À» ÁöºÒÇÏ¼Å¾ß ÇÏ´Â °æ¿ì°¡ ÀÖ½À´Ï´Ù.
°í°´´Ô²²¼ ÁÖ¹®ÇϽŠµµ¼ ¹× »óÇ°Àº Ä«µå°áÁ¦ ¶Ç´Â ÀÔ±Ý È®ÀÎÈÄ ¹è¼ÛÇØ µå¸³´Ï´Ù. ´Ù¸¸, Àç°í¿©ºÎ ¹× Á¾·ù¿¡ µû¶ó¼ µµ¼ ¹× »óÇ°ÀÇ ¹è¼ÛÀÌ ´Ù¼Ò Áö¿¬µÉ ¼ö ÀÖ½À´Ï´Ù.
¡Û ±³È¯ ¹× ¹ÝÇ°ÀÌ °¡´ÉÇÑ °æ¿ì
- µµ¼ ¹× »óÇ°À» °ø±Þ ¹ÞÀ¸½Å ³¯·ÎºÎÅÍ 7ÀÏÀ̳» ´Ü, µµ¼ ¹× »óÇ°ÀÌ ÈÑ¼ÕµÇ¾î »óÇ°°¡Ä¡°¡ »ó½ÇµÈ °æ¿ì¿¡´Â ±³È¯/¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
- °ø±Þ¹ÞÀ¸½Å µµ¼ ¹× »óÇ°, ¿ë¿ªÀÇ ³»¿ëÀÌ Ç¥½Ã.±¤°í ³»¿ë°ú
´Ù¸£°Å³ª ´Ù¸£°Ô ÀÌÇàµÈ °æ¿ì¿¡´Â °ø±Þ¹ÞÀº ³¯·ÎºÎÅÍ 3¿ùÀ̳», ±×»ç½ÇÀ» ¾Ë°Ô µÈ ³¯·ÎºÎÅÍ 30ÀÏÀ̳»
¡Û ±³È¯ ¹× ¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÑ °æ¿ì
- °í°´´ÔÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ°µîÀÌ ¸ê½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì. ´Ü, »óÇ°ÀÇ ³»¿ëÀ» È®ÀÎÇϱâ À§ÇÏ¿©
Æ÷Àå µîÀ» ÈѼÕÇÑ °æ¿ì´Â Á¦¿Ü
- Æ÷ÀåÀ» °³ºÀÇÏ¿´°Å³ª Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°°¡Ä¡°¡ »ó½ÇµÈ °æ¿ì
(¿¹ : ¿ì¸®ºÏ ÀÌ¿ÜÀÇ µµ¼ ¹× »óÇ°Àº Á¦Á¶»ç ±âÁØ¿¡ µû¸¨´Ï´Ù.)
- °í°´´ÔÀÇ »ç¿ë ¶Ç´Â ÀϺΠ¼Òºñ¿¡ ÀÇÇÏ¿© »óÇ°ÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
- ½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇÏ¿© ÀçÆǸŰ¡ °ï¶õÇÒ Á¤µµ·Î »óÇ°µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
- º¹Á¦°¡ °¡´ÉÇÑ »óÇ°µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
(ÀÚ¼¼ÇÑ ³»¿ëÀº °í°´¸¸Á·¼¾ÅÍ 1:1 E-MAIL»ó´ãÀ» ÀÌ¿ëÇØ Áֽñ⠹ٶø´Ï´Ù.)
¡Ø °í°´´ÔÀÇ ¸¶À½ÀÌ ¹Ù²î¾î ±³È¯, ¹ÝÇ°À» ÇÏ½Ç °æ¿ì »óÇ°¹Ý¼Û ºñ¿ëÀº °í°´´Ô²²¼ ºÎ´ãÇÏ¼Å¾ß ÇÕ´Ï´Ù.
(»ö»ó ±³È¯, »çÀÌÁî ±³È¯ µî Æ÷ÇÔ)
|
|
|
|
|
|
|
|
|
|
|
|
|